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Total de Resultados: 25

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alb4103695 Still Life with Flowers. Dating: 1600 - 1630. Measurements: h 113.7 cm × w 86.4 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Brueghel (I) (workshop of).
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alb4150660 Center Table. Marquetry top by Joseph Cremer; Active 1836-1878, Paris, France; Table by unknown artist, New York. Date: 1857-1867. Dimensions: 137.2 × 91.4 × 74.6 cm (54 × 36 × 29 3/8 in.). Rosewood, maple, tulip poplar, white pine, and mother-of-pearl. Origin: Paris. Museum: The Chicago Art Institute, Chicago, USA.
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alb4142215 Card Table. American; New York. Date: 1755-1790. Dimensions: 69.9 × 88.3 (open) × 87.6 cm (27 1/2 × 34 3/4 × 34 1/2 in.). Mahogany with tulip poplar, white oak, and white pine. Origin: New York. Museum: The Chicago Art Institute, Chicago, USA.
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alb4143079 Side Chair. American; New York City, New York. Date: 1770-1790. Dimensions: 93.3 × 57.8 × 45.7 cm (36 3/4 × 22 3/4 × 18 in.). Mahogany, tulip, and white pine. Origin: New York City. Museum: The Chicago Art Institute, Chicago, USA.
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alb5165190 picture frame, Anonymous, second half 18th century, wood, plaster, gilding, Gilded picture frame with a hollow frame in which a palm edge is cut. Inside a hollow smooth edge and an inner edge with tulip motif. The outer wall is stepped backwards. On the lower ledge a plastic plate with in white letters: 220 Jan van Huysum 1682-1749, General: 67 x 55.4 x 5cm (670 x 554 x 50mm), Inner size: 54.1 x 42.3cm (541 x 423mm), Daylight size: 52.2 x 40.7cm (522 x 407mm).
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alb3667306 High chest of drawers. Culture: American. Dimensions: 91 3/4 x 44 5/8 x 24 5/8 in. (233 x 113.3 x 62.5 cm). Date: 1762-65.The naturalistic carving on this tall chest is the work of highly skilled London-trained craftsmen who came to Philadelphia before the Revolutionary War to seek their fortunes. Characteristically, these makers took motifs from London pattern books and rearranged them to suit local tastes. Thus, the scroll pediment with finial bust and cornice moldings were taken directly from illustrations in Thomas Chippendale's famous "Gentlemen and Cabinet Maker's Director" (1762), the serpent-and-swan motif in the central bottom drawer from Thomas Johnson's " New Book of Ornaments" (1762). Museum: Metropolitan Museum of Art, New York, USA.
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alb3423472 Easy chair, 1755–90, Made in New York, New York, United States, American, Walnut, white oak, white pine, tulip poplar, 44 1/8 x 34 1/2 x 26 3/8 in. (112.1 x 87.6 x 67 cm), Furniture, An easy chair was the product of two different craftsmen. The chair maker built the wood armature that determined the chair’s basic outline, while the upholsterer determined its ultimate shape. Although the C-scroll arms are typical of Philadelphia work, this chair was produced in New York City.
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alb3431445 Bureau Table, 1750–65, Possibly made in Middletown, New Jersey, United States; Possibly made in Philadelphia, Pennsylvania, United States, American, Walnut, tulip poplar, white pine, white cedar, 31 3/4 x 35 1/2 x 20 3/4 in. (80.6 x 90.2 x 52.7 cm), Furniture, The Philadelphia origin of this bureau table is suggested because its case width is equal to its overall height, proportions that match a description in the 1772 Philadelphia Price Book. The prospect door, however, is tall and narrow in the mid-century manner.
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alb3599870 Secretary. Artist: Attributed to Martin Carlin (French, near Freiburg im Breisgau ca. 1730-1785 Paris); Sèvres Manufactory (French, 1740-present) (soft-paste porcelain plaques); various French painters, Paris (soft-paste porcelain plaques). Dimensions: H. 120.3 cm, W. 80 cm, D. 45.7 cm. Date: ca. 1781-85.This upright rectangular drop-front secrétaire is thought to have come from the Parisian workshop of the French cabinetmaker ("maitre-ébeniste") Martin Carlin. From his quarters in the Rue de Faubourg Saint-Antoine, Carlin produced writing-desks, commodes, and secretaires inset with porcelain plaques or panels of "pietre dure", all exquisite pieces befitting his illustrious clientele. The daughters of Louis XV, Madame Adélaïde and Madame Victoire, decorated the Chateau Bellevue at Meudon near Paris with some of his masterpieces.Carlin crafted several drop-front secrétaires like the one in the Lehman Collection. The present example has Ionic fluted columns in the forecorners and Ionic pilasters on the rear corners, resting on a lower stage supported on four straight tapering and fluted octagonal legs. The white marble top of the upper section is surrounded by a gilt bronze molding chased with laurel leaves and berries surmounted on the sides and back by an open-work gilt bronze gallery. The frieze of three recessed panels is mounted with gilt bronze floral garlands tied with flower heads and ribbons interspersed with shaped cartouches. The fall front and sides of the upper section are mounted with rectangular porcelain plaques, the front plaques decorated with baskets of flowers and leaves suspended from knotted ribbons on a green japanned ground. The lower stage is also fitted with porcelain plaques decorated with floral sprays. All the plaques are framed with a gilt bronze water-leaf molding. The interior is fitted with pigeon holes and six drawers veneered in tulip-wood. The forecorners of the lower stage are mounted with gilt bronze female masks enframed with leaves, berries, and garlands of beads; the rear corners are mounted with gilt bronze lion masks. Museum: Metropolitan Museum of Art, New York, USA.
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alb3624084 Desk and bookcase. Culture: American. Dimensions: 99 1/8 x 44 1/8 x 25 3/4 in. (251.8 x 112.1 x 65.4 cm). Date: 1760-90.The most famous pieces of furniture made by the leading cabinetmaking families of Newport, the Townsends and the Goddards, are the desks and bookcases with block fronts and six or nine shells. On these, the tripartite division of the blocked drawer fronts, terminating in large shells on the fall front, is continued upward on the bookcase unit in three hinged doors covering an array of cubbyholes. These monumental work stations were also symbols of their owners' business achievements. Thus, for example, each of the four Brown brothers, the leading merchants in late-eighteenth-century Providence, Rhode Island, had one. Museum: Metropolitan Museum of Art, New York, USA.
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alb3682075 Card Table. Culture: American. Dimensions: 27 7/8 x 35 x 17 3/4 in. (70.8 x 88.9 x 45.1 cm). Date: 1760-90.The most sophisticated New York Chippendale-style card tables have serpentine sides, shaped corners, gadrooned skirts, and five cabriole legs ending in claw-and-ball feet. The square corners supported candlesticks, and the four oval dishes held gaming counters. Museum: Metropolitan Museum of Art, New York, USA.
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alb3679406 Drop-leaf dining table. Culture: American. Dimensions: 28 3/4 x 47 7/8 x 39 1/4 in. (73 x 121.6 x 99.7 cm). Date: 1795-1810.This dining table consists of two demi-lune sections, each with a hinged leg to support a rectangular drop leaf. When fully assembled, the table could comfortably accommodate eight chairs. Museum: Metropolitan Museum of Art, New York, USA.
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alb3621372 Chest of Drawers. Culture: American. Dimensions: 45 3/4 x 40 3/4 x 21 3/4 in. (116.2 x 103.5 x 55.2 cm). Date: 1835-40.The green background and the red and yellow ornamental borders are characteristic of painted furniture from the Schwaben Creek Valley in Schuylkill County, Pennsylvania. A recent study for the Pennsylvania German Society has determined this chest's decoration to be unique. Museum: Metropolitan Museum of Art, New York, USA.
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alb3628735 Sofa. Culture: American. Dimensions: 37 x 80 1/4 x 25 in. (94 x 203.8 x 63.5 cm). Maker: Attributed to the Workshop of Duncan Phyfe (1770-1854). Date: 1805-15.In its quality and condition, this scroll-back sofa is among the finest known examples of this classic New York form. The modern black horsehair and gilded tacks that cover the original period upholstery foundations replicate the look of the sofa when it first came out of the workshop. Museum: Metropolitan Museum of Art, New York, USA.
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alb3684434 Desk and bookcase. Culture: American. Dimensions: 96 5/8 x 40 1/2 x 24 3/4 in. (245.4 x 102.9 x 62.9 cm). Date: 1765-90.Among the most impressive forms of American furniture, the desk and bookcase was a symbol of its owner's mercantile and intellectual achievements. On this example, a carved finial bust of a young woman, likely a literary figure, emerges from the broken-scroll pediment at the top. Museum: Metropolitan Museum of Art, New York, USA.
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alb3633197 Side chair. Culture: American. Dimensions: 39 x 21 1/2 x 21 1/2 in. (99.1 x 54.6 x 54.6 cm). Date: 1760-90.This is an example of the trefoil-pierced-splat chair, which was especially popular in Philadelphia. Except for the scroll-like central part of the crest rail, the design of the entire back was taken line for line from plate 10 of the first edition of Thomas Chippendale's "Gentleman and Cabinet-Maker's Director" (1754). Museum: Metropolitan Museum of Art, New York, USA.
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alb3626966 Chest with drawers. Culture: American. Dimensions: 39 7/8 x 48 x 21 1/4 in. (101.3 x 121.9 x 54 cm). Maker: Workshop of Peter Blin (ca. 1675-1725). Date: 1675-1700.Typical of the so-called "sunflower" chests that were produced in the Wethersfield area of Connecticut, this example displays a striking combination of shallow-relief floral carving and applied decoration. The center front panel features the owner's initials surrounded by a wreath of tulips--a variant of the standard motif of three sunflowers. The carving on the panels resembles patterns for sixteenth-century embroideries. Museum: Metropolitan Museum of Art, New York, USA.
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alb3629786 Side chair. Culture: American. Dimensions: 38 3/4 x 22 3/8 x 21 1/2 in. (98.4 x 56.8 x 54.6 cm). Date: 1760-90.Chairs with trefoil-pierced splats enjoyed great popularity in Philadelphia. On the most richly embellished examples, such as this one, the stiles and crest rail are finely carved in alternating long and short lozenges. Museum: Metropolitan Museum of Art, New York, USA.
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alb3605582 Knife Urn. Culture: American. Dimensions: 25 11/16 x 12 1/2 in. (65.2 x 31.8 cm). Date: ca. 1820.Knife boxes typically were displayed on the top of sideboards and contained all the silver cutlery required for dining. The cylindrical form and multiple reeds with pointed Gothic profiles around the bodies of these examples are design features specific to Baltimore. Museum: Metropolitan Museum of Art, New York, USA.
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alb3603930 Knife Urn. Culture: American. Dimensions: 25 11/16 x 12 9/16 in. (65.2 x 31.9 cm). Date: ca. 1820.Knife boxes typically were displayed on the top of sideboards and contained all the silver cutlery required for dining. The cylindrical form and multiple reeds with pointed Gothic profiles around the bodies of these examples are design features specific to Baltimore. Museum: Metropolitan Museum of Art, New York, USA.
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alb3652526 Tall-Case Clock. Culture: American. Dimensions: 8 ft. 9 in. × 19 1/2 in. × 10 1/2 in. (266.7 × 49.5 × 26.7 cm). Maker: Edward Duffield (American, 1720-1801). Date: 1765-80.This clock possesses a sophisticated weight-powered movement that runs for eight days and chimes on the hour. Its mahogany case, with intricate carving and appliqués, possesses a cockerel cartouche at the top--a motif frequently seen on English and French clocks, but rarely on American examples. The cockerel may have been a reference to the Apostle Peter, patron saint of watchmakers, or to Christ's proclamation at the Last Supper, "I tell thee, Peter, the cock shall not crow this day, before that thou shalt thrice deny that thou knowest me" (Luke 22:34). Duffield was a leading Philadelphia clockmaker known for his friendship with Benjamin Franklin. He made clocks for Franklin's family and served as executor of his estate. Museum: Metropolitan Museum of Art, New York, USA.
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alb3615894 Kettle Stand. Culture: American. Dimensions: 29 1/4 x 22 1/8 x 15 1/2 in. (74.3 x 56.2 x 39.4 cm). Maker: Attributed to the Workshop of Duncan Phyfe (1770-1854). Date: 1810-20. Museum: Metropolitan Museum of Art, New York, USA.
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alb3643570 Clothes Press. Culture: American. Dimensions: 91 3/8 x 44 5/8 x 24 3/4 in. (232.1 x 113.3 x 62.9 cm). Maker: Attributed to Thomas Affleck (1740-1795). Date: 1760-90.Clothes presses, common in England, were rarely made in colonial Philadelphia. The design of this one was influenced by plates in Thomas Chippendale's "Gentleman and Cabinet-Maker's Director" (1754 and 1762 eds.). The doors of the upper section hide twelve drawers; those of the lower section, three sliding trays. The sliding shelf in between was for folding the clothes to be stored inside. Museum: Metropolitan Museum of Art, New York, USA.
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alb3668688 Pembroke Table. Culture: American. Dimensions: 28 5/8 x 45 5/8 x 35 1/4 in. (72.7 x 115.9 x 89.5 cm). Maker: Attributed to the Workshop of Duncan Phyfe (1770-1854). Date: 1810-20. Museum: Metropolitan Museum of Art, New York, USA.
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alb3428769 Tall Clock, 1750–60, Made in Philadelphia, Pennsylvania, United States, American, Walnut, tulip poplar, white pine, 107 1/2 x 23 1/2 x 11 3/8 in. (273.1 x 59.7 x 28.9 cm), Furniture, John Wood Sr. (active ca. 1734–60), John Wood Jr. (1736–1793), The dial of this tall clock, with its later addition of an arched moon phase, was a type popular in England about 1710–15. The case seems to date from the 1750s, the decade during which Chippendale features began to appear in Philadelphia on Queen Anne forms.
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Total de Resultados: 25

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